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Antonio Bueno
Antonio Bueno (21 July 1918 – 26 September 1984) was an Italian painter of Spanish origin, who acquired Italian citizenship in 1970. He was born in Berlin while his journalist father was posted there by the newspaper ''ABC'' of Madrid.
==Life and career==
Bueno undertook art studies in Spain and Switzerland. In 1937 he was in Paris, where he exhibited at the ''Salon des Jeunes''; then in 1940 with his brother Xavier, he moved to Italy. After a post-impressionist experience, immediately after World War II he joined the school of Armenian artist Gregorio Sciltian, painting ''trompe-l'oeil'' work. With Pietro Annigoni and his own brother, Bueno took part in the "Pittori moderni della Realtà (Modern Painters of Reality)" group .〔See also (Life of the Artist ) on ''Rizzutoarte.com''. Accessed 21 May 2011〕 A dynamic and restless experimenter, after these experiences he conducted in-depth research in genres: abstract painter in 1950–53 while working as secretary for the ''Numero'' magazine; neometaphysic painter with his clay pipe series in 1953–57; verist; ''materiologic'' as a follower of Informale with a number of imprint forms in 1960–62; ''signaletic'' and pop in the middle of the 1960s; neodada and visual painter – all this as an eternal combinative play of subjects and materials.〔Cf. (Biography ), ''passim'' on ''Settemuse.it''. Accessed 21 May 2011〕
Bueno's final affirmation occurred at the ''Biennale di Venezia'' of 1984, a few months before his death, when he was already gravely ill: he exhibited a series of magistral work that was highly acclaimed and undoubtedly represents the apex of his whole production.〔Cf. (Biography ) edited by Tommaso Bueno. Accessed 21 May 2011〕
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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